1835-1910 John La Farge (March 31, 1835 ?C November 14, 1910) was an American painter, stained glass window maker, decorator, and writer. Born in New York City, New York, his interest in art was aroused during his training at Mount St. Mary's University and St. John's College (now Fordham University). He had only the study of law in view until he returned from his first visit to Paris, France where he studied with Thomas Couture and enjoyed the most brilliant literary society of the day. Even his earliest drawings and landscapes, done in Newport, Rhode Island, after his marriage in 1861 to Margaret Mason Perry, sister-in-law of Lilla Cabot Perry, show marked originality, especially in the handling of color values, and also the influence of Japanese art, in the study of which he was a pioneer. La Farge's inquiring mind led him to experiment with color problems, especially in the medium of stained glass. He succeeded not only in rivaling the gorgeousness of the medieval windows, but in adding new resources by his invention of opalescent glass and his original methods of superimposing and welding his material. Among his many masterpieces are the "Battle Window" at Harvard and the cloisonn?? "Peacock Window" in the Worcester Art Museum. Two of his largest windows are located in Unity Church in North Easton, Massachusetts. The earliest of these, the "Angel of Help" was completed in 1887 while the "Figure of Wisdom" dates to 1901. Both of these windows were restored by "Victor Rothman for Stained Glass Inc" of Yonkers, New York in the 1990's. Between 1859 and 1870, he illustrated Tennyson's Enoch Arden and Robert Browning's Men and Women. Breadth of observation and structural conception, and a vivid imagination and sense of color are shown by his mural decorations. His first work in mural painting was done in Trinity Church, Boston, in 1873. Then followed his decorations in the Church of the Ascension (the large altarpiece) and St. Paul's Church, New York. For the State Capitol at St. Paul he executed, in his seventy-first year, four great lunettes representing the history of religion, and for the Supreme Court building at Baltimore, a similar series with Justice as the theme. In addition there are his vast numbers of other paintings and water colors, notably those recording his extensive travels in the Orient and South Pacific. His labors in almost every field of art won for him from the French Government the Cross of the Legion of Honor and membership in the principal artistic societies of America, as well as the presidency of the Society of Mural Painters. Enjoying an extraordinary knowledge of languages (ancient and modern), literature, and art, by his cultured personality and reflective conversation he greatly influenced all who knew him. Though naturally a questioner he venerated the traditions of religious art, and preserved always his Catholic faith and reverence. In 1904, he was one of the first seven chosen for membership in the American Academy of Arts and Letters. On his passing in 1910, John LaFarge was interred in the Green-Wood Cemetery in Brooklyn, New York. During his life, he maintained a studio at 51 West 10th Street, in Greenwich Village, which today is part of the site of Eugene Lang College  Related Paintings of John La Farge :. | Centauress | Wreath of Flowers | Flowers on a Japanese Tray on a Mahogany Table | Halt of the Wise Men | Flowers on a Japanese Tray on a Mahogany Table |
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George Webster
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BASSA, Ferrer
Spanish painter active 1324-1348 His workshop was in Calle Cucurulla, Barcelona, and commissions from a variety of patrons, mostly royal, are documented. In 1324 he was paid for painting two chapels and two crosses for the church at Sitges. Between c. 1333 and c. 1335 he illuminated a book on the Usages of Barcelona and Customs of Catalonia for Alfonso IV of Aragon, and in 1335 he was paid for an altarpiece. Further payments, in 1339 and 1340, were for two altarpieces for the chapel of the Aljaferea Palace (a Moorish palace) in Saragossa. About 1340 he received a commission for an altarpiece of St Hilary for the diocese of Lleida (Sp. Lerida). In 1341 Bassa had begun work on three altarpieces for the Episcopal See at Lleida, commissioned by Ot de Montacada (c. 1290-1341). In 1342 Peter IV (the Ceremonious) of Aragon asked his wife, Maria of Navarre, to send him a Book of Hours illuminated by Ferrer Bassa, and in the same year the artist was also paid for a commission by Queen Constanza of Mallorca. In 1343 and 1344 he was paid for an altarpiece and other works for the chapel of the Aljaferea Palace in Saragossa and for an altarpiece for the chapel of the royal palace at Barcelona. In 1344 Bassa was commissioned to decorate the S Miguel Chapel, then the cell of the abbess in the Pedralbes Monastery, Barcelona, although he only started work in 1346. He was involved in further royal commissions in 1345, including an altarpiece for the chapel of the castle at Perpignan.
MOMPER, Joos de
Flemish painter (b. 1564, Antwerpen, d. 1634/35, Antwerpen). also known as Josse de Momper, is one of the most important Flemish landscape painters between Pieter Brueghel the Elder and Peter Paul Rubens. Brueghel's influence is clearly evident in this many of de Momper's paintings. Born in 1564 in Antwerp, Joos de Momper was first apprenticed to his father. In the 1580s, he travelled to Italy to study art. De Momper primarily painted landscapes, the genre for which he was well-regarded during his lifetime. He painted both fantasy landscapes, viewed from a high vantage point and employing a conventional Mannerist color transition of brown in the foreground to green and finally blue in the background, and more realistic landscapes with a lower viewpoint and more natural colors. His wide panoramas also feature groups of figures.